THE GREAT CHRONICLE OF BUDDHAS
266
in the Nikkhepa KaÓÉa as follows: The fear of
jÈti
or the knowledge that
jÈti
is a
big fearsome danger is called
jÈti-bhaya
; the fear of
jarÈ
or the knowledge that
jarÈ
is a big fearsome danger is called
jarÈ-bhaya
; the fear of
vyÈdhi
or the knowledge
that
vyÈdhi
is a big fearsome danger is called
vyÈdhi-bhaya
; and the fear of
maraÓa
or the knowledge that
maraÓa
is a big fearsome danger is called
maraÓa-bhaya
.
The group of these four kinds of knowledge is known as
saÑvega
.)
(Of the four kinds of great omens already described, the first three are known as
saÑvega nimitta
, omens which give rise to sense of religious urgency. Because, if
birth takes place, there is unavoidable certainty of manifestation of ageing, illness
and death. Because of the arising of birth, there is bound to be the arising of
ageing, illness and death. There is no escape from ageing, illness and death for one
who has been born. To one who looks upon these phenomenal dangers as
fearsome, harsh and dreadful, they form the cause for the arising of terrible fright
and alarm in them.)
(The last omen, that of a recluse, is the manifestation to encourage the practice of
the Dhamma, as a way of escape from the said dangers of ageing, illness and death.
Hence it is called
PadhÈna Nimitta
, omen which gives rise to sense of meditational
exertion.)
Sakka despatched Visukamma Deva to help The Prince dress up
The Prince spent the whole day in the royal garden, playing and enjoying its delight.
After taking a bath, as the sun began to set, he remained sitting elegantly on the auspicious
stone slab. At that moment, he felt inclined to get himself dressed. Sakka, becoming aware
of his wish, dispatched Visukamma Deva, who, taking the guise of a barber in the service
of the Prince
,
went to him and dressed him up with celestial attire and adornments. (Herein
the glow of the Bodhisatta dressed in celestial attire should be visualized in anticipation.)
Just while the musicians were entertaining with five kinds of musical instruments and
others were singing and dancing, and even while the Brahmins were extolling him in sweet
words of praise: ‚May Your Majesty be crowned with success, free from all forms of
danger and hostility; may you be blessed with glory and happiness,‛ the Prince, thus
dressed in five celestial adornments, ascended the royal chariot, decorated with precious
ornaments, to return to the royal palace.
The Birth of RÈhula
At that moment, King SuddhodÈna, the royal father received the information that the
Prince's Chief Queen, YasodharÈ, had given birth to a son. So he sent royal messengers to
the Prince with the glad tidings: ‚Go convey this good news to my son.‛ When Prince
Siddhattha heard the news that a son had been born, he remarked, as befitting one who kept
in mind the sense of religious urgency (
saÑvega
): ‚The Asura Rahu
1
, who will seize and
keep me captive, has been born; a great bondage has come into existence!‛
When asked by King SuddhodÈna: ‚What has my son said?‛ the messengers related to
him the remarks made by the Bodhisatta Prince. Thereupon, King SuddhodÈna announced
the name and title of his grandson thus: ‚From now on, my grandson shall be known by the
name of Prince RÈhula.‛
Sakya Princess KisÈ GotamÊ's Joyous Utterance of Peace
The Prince entered the royal capital of Kapilavatthu riding the chariot accompanied by a
large retinue with majestic elegance at its height. As he was thus entering the royal city by
the chariot, a Sakyan Princess by the name of KisÈ GotamÊ, who was possessed of charm
and beauty, and who was not of lowly birth but of high noble lineage, on seeing the
physique (
r|pa-kÈya
) of the Prince from where she was, on the outer terrace of her
mansion, and feeling delighted, uttered her feeling of joy as follow:
1. ‘Rahu’ is the name of the Asura (Demon of Fallen Deity) who is supposed to be responsible for
the eclipse of the moon by taking it in his mouth.