THE GREAT CHRONICLE OF BUDDHAS
252
SukhumÈla Sutta, Devad|ta Vagga, TikanipÈta, A~guttara Commentary, Volume
II.)
The Construction of Three Palaces for The Prince
The Bodhisatta, Prince Siddhattha, grew up in great comfort and luxury, enjoying such
delights as playing in the water of the celestial lakes covered and graced with five kinds of
lotus as said above, wearing very soft and smooth garments which were newly made and
produced in KÈsi country, being at all times given cover and protection against heat, cold,
dust, mist and snow, with white umbrellas of devas and humans.
When he had grown to the age of sixteen years, King SuddhodÈna thought: ‚It is time to
build mansions for my son,‛ and he had the most celebrated and skilled architects,
carpenters, masons, sculptors and painters summoned to the palace for discussion. He then
gave orders for the construction of three palaces named Ramma Golden palace, Suramma
palace, and Subha Golden palace which were specially designed to suit the weather
conditions of the three seasons, after making necessary preliminary preparations such as
ground breaking at the chosen site and at the time indicated as propitious by the stars.
These three palaces were of equal length, breadth and height. They differed only in the
number of tiers in the spires.
(These three palaces are not described in detail in the Commentaries on the BuddhavaÑsa
and JÈtaka. They are described at length in the expositions of the SukhumÈla Sutta of the
above A~guttara Commentary, in the exposition of the MÈgandiya Sutta of the Majjhima
PaÓÓÈsa Commentary and that of the Agarikasampatti chapter in the JinÈla~kÈra Sub-
Commentary. What is presented here is the combined account of the expositions in these
various texts.)
(i)
Ramma palace was built for residence during winter,
(ii)
Suramma palace was built for residence during summer, and
(iii)
Subha palace was built for residence during the rainy season.
(i) Ramma (Winter) Palace
The Ramma Palace had nine tiered-spire. The structure and room formations were
designed to keep the floors somewhat low so as to retain warmth. And meticulous care was
taken, in the arrangement of lion-propped windows and ventilators, to prevent elements of
cold from outside, such as snow, mist, and breeze, from entering inside. Painters also drew
pictures of blazing fires and flames on the walls, central planks, roofs, etc, of the said
palatial mansion to dispel coldness on seeing them. Festoons of perfumes, flowers and
pearls were hung dangling here and there at appropriate places. The ceilings were canopied
with fabrics of pure wool and silk which were very soft and smooth and warmth-giving
and which were adorned with stars of gold, silver and rubies giving out bright and flaming
colours. Besides, there were woollen partitions and gauze curtains adorned with velvet and
woollen shawls which were very soft and smooth to the touch. Velvet garments and
woollen apparel appropriate for the cold season were also kept in readiness for wear. In the
winter season, nourishing seasonal food, such as hot, spicy delicacies, were well prepared
in readiness. To keep the room warm, windows were kept open in the day and closed at
night.
(ii) Suramma (Summer) Palace
There were five tiers in the spire of the Palace named Suramma. The structure and room
formations were so designed as to provide ventilation; the tiers were built high, windows
and shutters kept spacious and wide, and to procure as much breeze and coolness as
required from outside, the main doors and windows were kept not too secure; some doors
had perforations and others had nettings (made of iron, gold, silver). The walls, central
posts, roofs, etc., were decorated with paintings of blue, red and white lotus to give
soothing impressions to the observers. Newly made pots filled with water to the brim were
installed near the windows and placed therein were aquatic flowering plants such as blue,
red, white lotus, and lotus with a hundred petals. Mechanical devices, such as fountains and