THE GREAT CHRONICLE OF BUDDHAS
1154
sensation, while the neither pleasant nor unpleasant sensation pertaining to meritoriousness
is included in the pleasant sensation. This point should be noted.
The reader is strongly advised to consult PaÔiccasamuppÈda DÊpanÊ to have a fuller
understanding of these verses. In the present work a bare paraphrase of the verses
is given.
The Six Kinds or Elements of Sensation
(i) Sensation born of eye-contact,
cakkhu samphassajÈ vedanÈ,
(ii) sensation born of ear-
contact, (iii) Sensation born of nose-contact, (iv) sensation born of tongue-contact, (v)
Sensation born of body-contact, (vi) Sensation born of mind-contact,
mano samphassajÈ
vedanÈ
.
They are called elements because sensation primarily arise only through them. When
sensation is being discriminated through each of the six kinds of Contact, concepts,
whether pleasant or unpleasant, agreeable or disagreeable, good or bad, about them are
formed in the mind of the person experiencing these various sensations. When an agreeable
sensation is experienced, one feels happy and is physically at ease. When a disagreeable
sensation is experienced one feels unhappy, distressed, and physically agitated.
Everyone in the world has a single objective of enjoying the Element of pleasant
sensation. All human activity is earnestly directed towards achieving that objective. This
(so-called) Element of pleasant sensation only brings suffering to worldlings;
ariyas
alone
are immune from its evil consequences. Worldlings strive hard in search of pleasant
sensation. In extreme cases, this search after pleasant sensation takes the form of even
committing suicide, for a person committing suicide decides that death alone is the way he
can get peace.
(7) VedanÈ paccaya taÓhÈ
When one sees (an agreeable) visible object, through the workings of eye-contact, that
object gives a pleasant sensation to the viewer. One is very pleased with it. ‚It's nice! It's
lovely!‛ The pleasant sensation causes elation and happiness. Just as when dry rice is
sprinkled with butter, the viewer's mental process is permeated with joy. Just as withered
padumÈ
lotus is sprinkled with cool water, he feels refreshed. His face brightens. This
reaction, which arises due to pleasant sensation, is the enjoyment of that sensation. (The
reaction due to the remaining five sense-pleasures, such as on hearing an agreeable sound,
on smelling an agreeable odour, etc., should be understood likewise.)
The enjoyment of pleasurable sensations through the six sense-door, whets the appetite to
enjoy more and more. Craving arises for pleasant sensation. So, six kinds of pleasant
sensation give rise to six kinds of craving, i.e. craving for visible objects, craving for
sounds, craving for odours, craving for tastes, craving for tangible objects, and craving for
thoughts and ideas.
All beings are attached to their own bodies, in the sense that they want to remain alive. So
they are naturally attached to food so as to remain alive. Thence their attachment stretches
to paddy as the staple food, and thence to the means of production of paddy such as land,
draught animals, and good rains, etc. all connected with paddy. This is a practical example
of how craving multiplies itself starting with a certain object of one's fancy. If one has a
fancy for a certain visible object, then things possessing it, connected with it, whether
animate or inanimate, are craved for. (Similarly with pleasant sounds, pleasant odours,
pleasant tangible objects, and pleasant thoughts.)
All the endless objects that are craved for have numerous names. But, from the viewpoint
of ultimate reality, they come under six sense objects only, i.e. craving for visual objects,
craving for sounds, etc. (Here the poet compares the six sense objects to the Treasurer of a
Universal monarch who is capable of providing whatever is asked of him.)
As all beings are always hankering after the six sense objects, trying to satisfy their
sense-desires, they become obsessed with craving which is essentially greed. Therefore,
they cannot even dream of the profound truth (about craving as the real source of all