Chapter 42
reflected on the nose-sensitivity; tangible objects are reflected on the body-sensitivity; six
kinds of mind-objects are reflected on mind-sensitivity of mind-consciousness, according to
the occurrence of events at the five other sense-doors.
When these sense objects are reflected on the respective sense-door, each with its special
sensitivity of its own, there arise contact at each sense-door as if a flint is struck against the
steel striker in a flint match.
Due to the coming together of sense-door, sense object and sense-consciousness, (e.g. at
eye-door), due to the conjunction of eye-sensitivity, visual object and eye-consciousness,
eye-contact arises very vividly. Likewise, at ear-door, due to the conjunction of ear-
sensitivity, sound and ear-consciousness, ear-contact arises very vividly. At nose-door, due
to the conjunction of nose-sensitivity, smell and nose-consciousness, nose-contact arises
very vividly. At tongue-door, due to the conjunction of tongue- sensitivity, taste and
tongue-consciousness, tongue-contact arises very vividly. At body-door, due to the
conjunction of body-sensitivity, tangible object and body-consciousness, body-contact
arises very vividly. At mind-door, due to the conjunction of mind-sensitivity, the respective
sense object reflected through the six sense-doors, and mind-consciousness, mind-contact
arises very vividly.
The six kinds of contact are very powerful, like Sakka's Vajira weapon, in translating the
sense-experience as agreeable or disagreeable. A visible object reflected on eye-door that
has become eye-contact is distinguished as agreeable or disagreeable, thanks to contact.
The same principle holds in respect of the five other sense-doors, where the respective
contact sorts out the respective sense objects as agreeable or disagreeable. In describing the
function of contact, the poet uses the metaphor of pressing a juicy fruit to yield its flavour.
Sweet fruit would yield sweet juice, sour fruit would yield sour juice. Similarly, an
agreeable visible object will, through the working of contact, present itself as an agreeable
thing to the individual, and a disagreeable object as a disagreeable thing. So also with the
remaining sense-contacts. Agreeable things are looked upon as good things, attractive or
pleasant things. Disagreeable things are looked upon as bad things, unpleasant things.
This differentiation between agreeable or pleasant things and disagreeable or unpleasant
things is brought out by contact.
(6) Phassa paccaya vedanÈ
The six sense objects are considered (by a worldling) as agreeable or disagreeable
through the functioning of contact. (If we review the process of sense cognition:) we find
that the six kinds of consciousness merely know a sense object through the respective
sense-door. It merely sees something, hears something, smells something, tastes something,
touches or feels something, and thinks a thought or forms an idea. Contact translates these
sense experiences into agreeable things or disagreeable things, When agreeable things are
experienced through their respective sense-doors, one feels pleased, or experiences a
pleasant sensation. When disagreeable things are experienced one feels displeased, or
experiences an unpleasant sensation. Thus the six kinds of contact bring about six kinds of
sensation.
Pleasant Sensation,
Sukha-vedanÈ
Sukha-vedanÈ
is of two aspects, physical and mental, the former is physical ease and
comfort, the latter, happiness.
Unpleasant Sensation,
Dukkha-vedanÈ
Dukkha-vedanÈ
is (also) of two aspects, physical and mental. The former is physical pain,
the latter distress of mind.
Sometimes
sukkha-vedanÈ
is used in a combined sense of physical and mental wellbeing;
and
dukkha-vedanÈ
is used in a combined sense of physical and mental suffering.
VedanÈ
is actually of three kinds: pleasant sensation, unpleasant sensation, and neither
pleasant nor unpleasant sensation. However, in this verse, the neither pleasant nor
unpleasant sensation pertaining to demeritoriousness is included in the unpleasant