39b: Sakka’s Questions – 1445
tangible object cognizable by the body … a certain thought about mind or
matter, cognizable by the mind, tends to increase demeritoriousness and
decreases meritoriousness, that thought should not be resorted to. If, on the
other hand, a certain thought about mind or matter tends to decrease
demeritoriousness and increase meritoriousness, that thought should be resorted
to. Venerable sir, being able to understand the meaning in detail of what the
Fortunate One has said briefly, I am now rid of all doubts; there is no
uncertainty in me.”
Sakka had benefitted from the previous discourses of the Buddha on the
three kinds of sensation and on the three kinds of what is to be resorted to
and what should not be resorted to. When the present brief answer from
the Buddha was given, he had the right understanding based on the
Buddha’s previous preachings and accordingly began to address the
Buddha about his understanding.
The Buddha remained silent, allowing Sakka to go ahead with what he had
to say about the meaning of the brief statements. It was not the custom of
the Buddha to allow such a thing, if the hearer of a discourse is not
competent enough to state how he understands it, or to allow a competent
hearer, if he is not willing to come forward with an explanation of what he
understands of it. Here Sakka was competent as well as willing, hence the
Buddha’s permission.
Now to elaborate on the various sense objects as to their worthiness or
unworthiness:
1. If a certain visible object tends to arouse defilements such as attachment
(
rāga
), in the mind of a monastic who sees it, that visible object is an
unworthy one, and he should not look at it. If a certain visible object
arouses in him a sense of repulsiveness, a perception of repulsiveness
(
asubha-saññā
), or strengthens the conviction in him of the truth of the
Dhamma, in the teaching, or arouses the perception of impermanence
(
anicca-saññā
), then that visible object is a worthy one, and he should
look at it.
2. If a certain song, beautifully composed, that is heard by a monastic
tends to arouse defilements such as attachment (
rāga
) in him, that
sound is an unworthy one, and he should not listen to it. If, on the other
hand, a certain song, even coming from a potter’s girl, enables the
monastic, who hears it, to reflect on the law of cause and effect and